It a surprise from the pro-choice entrainment world, but CBS’ The Good Wife recently dared to present pro-life arguments in a rational, respectful way.
A side plot to the March 22 episode of CBS’ The Good Wife featured two characters, Diane Lockhart (Christine Baranski) and R.D. (Oliver Platt) arguing over abortion. R.D., the pro-lifer, demanded to know why a five-month-old fetus is “not a baby?”
While on a hunting retreat in Wyoming, Diane, the law-firm boss of main character Alicia Florrick (Julianna Margulies), met a man named R.D. Unlike the other conservative gun-lovers (including her husband) on the trip, Diane identifies herself as Democrat. Intrigued...
Ok, ok, we get it. Lena Dunham likes sex.
Whether
you look at the social effects of The
Cosby Show or Will & Grace, it
is clear that television can influence public opinion for better or for worse.
The question, then, is why does Empire
(FOX) choose to shape it for the worse?
Music has always been a big part of
television. But, let’s face it, some shows do it better. While many sitcoms and
dramas rely on beats to merely fill in the background, these four shows
represent musically distinct TV shows that allow the tunes to occasionally
steal the spotlight.
Looking back on the latest season of The Bachelor,
which had its finale Monday night, a surprising storyline about women’s
virginity has emerged throughout the season.
The Thursday night series premier of Dig (USA) delivers on its promise of murder,
conspiracy, and religion.
Pro-life messages
are not often mentioned on prime time entertainment networks.
Dumb dads
are nothing new.