Founder and President of the Media Research Center, L. Brent Bozell III runs the largest media watchdog organization in America. Established in 1987, the MRC has made “media bias” a household term, tracking it and printing the compiled evidence daily. Mr. Bozell is a nationally syndicated writer to more than 50 newspapers around the country, whose work appears in publications such as Wall Street Journal, The Washington Post, The Washington Times, The New York Post, The L.A. Times and National Review.
Two years ago, a humor website called The Washington Fancy presented the
headline “Obama Cancels July 4th Because of Budget Cuts.” It’s not funny anymore. Now, with what AP falsely calls the ...
If you’ve forgotten the 2009 mass killing at Fort Hood, then the media have scored a
point for President Obama. The Pentagon dismissed the terrorist attack
as “workplace violence,” the Obama ...
Feminism as a political cause is on such
wobbly knees that it must rely on charges of rampant sexism that have no
basis in reality. The current Exhibit A is “Think Progress” blogger
Alyssa ...
The media
elites have never been less interested in objectivity than they are
right now on “gay marriage.” They don’t wear rainbow flags on their
lapels when they appear on television, but ...
Egotistical musicians often exaggerate their political influence, none moreso than the nattering, narcissistic rapper Kanye West. Rolling Stone magazine has posted part of a West song titled
“I ...
The unfolding story of the Obama
administration monitoring not just telephone records but Internet usage
has drawn media coverage with adjectives like “astonishing.” Still, it is laughable ...
The
specter of school shootings has brought a too-typical staple to local
newspaper sections: the boys disciplined at (or suspended from) grade
school for bringing a toy gun or anything ...
It is more important to help Obama overcome the legacy-strangling notion of an “atmosphere of scandal” than
for reporters to investigate a scandal that's strangling their profession.
At film festivals, artistic judgments about cinematic
achievements are strongly seasoned by the secular-left politics of
moviemakers and their constant desire to “push the envelope."
